As part of the improvements we are making to the show, we are transitioning our website from our original Blogger site to our new site that we've created using Squarespace. 

This site will remain, but we will no longer be including new postings or interviews on this site. So, if you are using an RSS reader to obtain access to our content, we recommend that you redirect your RSS reader to the webpage link below.

If you subscribe to the podcast using iTunes or another podcast aggregator, the downloads for each new episode should not be effected. 

We thank you for your continued support for the work that we do here at TCF and hope you will enjoy the improvements planned in the months to come. 

New Candid Frame Web Page.
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Don Giannatti has been a photographer for nearly 40 years, and has had studios in Phoenix, Chicago and New York. He was a fashion and beauty shooter for the first half of his photographic career, and now adds "Americana" portraiture and travel work to his diverse subjects. He has written three photography books for Amherst Media (avail on Amazon) and taught two highly acclaimed workshops on CreativeLIVE. He lives in Arizona and travels extensively throughout the West and Northwest.
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I was recently interviewed by Juan Pons for the podcasts with Rick Sammon, The Digital Photo Experience. This time I got to be on the receiving end of the Q&A and I discuss my own podcast, The Candid Frame. I talk about how taking risks and working with mirror-less camera has impacted my photography. 

If you have not listened to this show, you should as it's one of the best resources for the technical side of photography as well as same wonderful interviews with photographers.

John Perello (Jon One) was born in New York's Harlem neighborhood to parents from the Dominican Republic. Growing up in Harlem, his introduction to street art began at an early age, when he would see graffiti and tags on subway cars and city walls. When he was 17 he entered the world of graffiti with his childhood friend "White Man," tagging his name Jon with the numbers 156 on walls and trains in his neighborhood.

After studying photography in Southern California, Dan Winters  finished his formal education at the film school of Ludwig Maximilian University in Munich, Germany. He began his career in photography as a photo journalist in his home town in Ventura County, California. After winning several regional awards for his work, he moved to New York City, where magazine assignments came rapidly.
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"From Africa to New York, Brazil to the  Texas Hill Country, Sarah Brooke Lyons strives to capture the essence of people and  culture through photography.   A Texas native with roots in the city of San Antonio,  her aesthetic style is most evident when immersed within a subculture or engaged with a subject, allowing her to present an uncommon perspective of their story.
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David Strick has worked as an editorial, advertising and corporate photographer whose interest in the entertainment world has led him to originate documentary behind-the-scenes print and web features for major media companies, including eleven years of producing a monthly photo column for Premiere Magazine entitled “David Strick’s Hollywood,” 2 ½ years of originating and photographing a web/print feature called “David Strick’s Hollywood Backlot” for the Los Angeles Times, and a web/print feature

Zack Arias is an Atlanta-based editorial and commercial photographer who specializes in portraiture,  music and street photography. Despite a failed initial attempt at a professional photographic career, he returned to become an accomplished and respected photographer.

Sam (Whittier Sam) Smotherman is narrative street photographer from Los Angeles, who believes in the power of dialogue and that is what he tries to create through his images. Not just a dialogue between observers but within the whole process. He is not removed from his pictures, but chooses instead to speak where subjects often have no voice, making sure to give articulation to those who have not only shared their image, but their words.
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